Tag Archives: mark allan wolfe radio music guitarist instrumental music

Whats behind the music

So I thought I would try something new today. Always looking for something to cause a stir or get folks like you into learning about my music. I probably do not try hard enough but none the less you need to start somewhere.

I was thinking about how inspiration comes to me and maybe you but it usually comes as a surprise. A sort of wind that fills your heart and mind. Perhaps it is this way with you but today while cleaning I started hearing this melody come thru into my mind. I was thinking yes I dig this now only if I can just get it out of my mind and into music we would be cool. This is the never ending struggle we as musicians, songwriters or composers feel. It is like this passion that fills us, to strive to get it all out there and see what sticks. Some times it is just for you, others it is something for everyone.

Then you have fight past your own feelings and emotions for you constantly wonder, “what will people think?” I always try to throw those thoughts and caution to the wind. Let the muse lead you to the song. Not an easy thing to do hence we try anyways.

So I thought it might be interesting to share this humble journey with you and express what it is that goes on inside the heart when one tries to compose or write music. Now I must also admit and confess something terrible. I do not know how to accurately write out the music. I understand it, I know the chords most of the time, yet it is very difficult and mundane for me to be a copyist and scribe out the notes one by one. I do not have the patience or the desire to do so. I am more happy to try and find the song this way than the other. So lets begin. Over the next few postings I will begin to share a bit about the songs and we shall see what comes of it.

I would also encourage you if you listen to my music, please comment or share an email as some of you have already done, and explain or share your thoughts either GOOD or BAD on my music. I read every email and endeavor to learn and respond to each one, although not as fast as I would like. So if you dig it or hate it give me a word about it but please do not be vulgar or use curse words. LOL Well onward ho and lets begin….

Share

Hope for your HEART

So here you are pressing onwards so to say. You have created all sorts of music designed the CD’s, got tours lined up or at least some gigs even if they are just playing parties for the time being. None the less you got something going. You have a dream, a desire to share your music with the whole world, yet you do not know where to start. Perhaps you do know where to start yet you have been plugging away for it for some degree or been climbing the hill for years. THIS IS FOR YOU!!

There is this certain type of bamboo that grows deep in the heart of China and it takes like five- six years to even start to grow but when it does it grows like 90′ ft with in like 6 months! Consider the farmer who plants his crops and does everything he does and needs to for a crop to grow. He has NO idea that things will come about, yet he tries and continues to do what he does for hopes that He will eventually reap a harvest.
Mark%20Allan%20Wolfe

You need to have the same attitude, that no matter what you will climb this mountain. You will succeed in your efforts WHAT EVER THEY MAY BE!! No matter if you are trying to get some where in business, make a name for yourself in the music business or in life. You may be trying to deal with something that has kept you down for years and you try and try only to not see anything. For all you know right after the next hill, the next day the next swing your answers will come!

I wanted to just drop you a note of encouragement and give you a little hope for your heart. You need to believe in something so why not believe for the best. It is what keeps you going? To many people failing at something over a 100 times you might begin to think something is impossible. After 150 times you might seriously doubt your sanity and question your motives, yet you would not even think perhaps of trying 200 times, well someone did they pursued with something for nearly 999 times actually on the 100th time BOOM!! the perfect filament for the light bulb was found.
http://cache.reverbnation.com/widgets/swf/19/tuneWidget.swf?twID=artist_382803&posted_by=artist_382803&shuffle=&autoPlay=false&blogBuzz=buzz
Myspace music player

Well if your trying faint not, if your at least trying to get where you are your doing something. Never give up and never surrender, you never know who is counting on you and how you will change the world or those around you.

Share

Music Video of Mark Allan Wolfe

Hey Guys

I thought you might want to visit this and watch a cool video I found. Maybe you have seen it maybe not. It is a video of Mark Allan Wolfe (me) playing my PRS live at Smiths Ole Bar in Atlanta I think. I was playing to an accompaniment CD I created of my music. I am sorry for the not so good quality of the background music but you can hear the wailing of the guitar and tones.

I had a lot of fun playing there and else where. I really loved the tone of my guitar that night. The sound dude really had it going and the room was really right.

Mark jamming in Florida

Jamming and sweating but loving every minute of it!

A bit about the song was I wrote a nice little melody for my sweet heart as I do. I picked that song for the chord progression was something that would sound great to have something played over it. I was playing my PRS thru my VOX Valetronix 150 Watt amp into my line 6 POD XT Pro live floor board with an occasional cry baby in tow. I cannot forget the camera person that night was my Angel a.k.a BellaDonna my biggest fan :0)

Well I hope you enjoy it and other videos I have posted here and else where around the web. If you do not like it then that is cool as well not everyone will dig the same. To all of you out there who send me emails and are supportive I thank you for your love and emails. I am always glad to hear from you guys. If you never email me and are one who likes to watch but never write, perhaps I can persuade you to send an email or a letter to either myself or someone else who you dig. I cannot begin to say on how much you have an impact on us musicians who perform, write and record the music for you. We love it when you write us and tell us your rocking, of if we would try something else.
Mark%20Allan%20Wolfe
Well keep me posted and look forwards to writing you again. Write me and ask me what it is that you would like to know more about, perhaps more about what was behind the music, how are songs made? or how to make a living at being a musician.Email me and visit the sites

Mark Allan Wolfe
www.markallanwolfe.com
Email mark@markallanwolfe.com

[youtube=http://www.youtube.com/watch?v=wyjIVnOcXnY&w=640&h=360]

Share

Mark Allan Wolfe New music online

Check out some great new music an also listen to some more music that is available at IMRADIO grab this widget for your blog or website it you need music.
Also give a listen to the new heavy guitar jam by MARK ALLAN WOLFE called “Lost in the SON” a heavy guitar rock song. The radio station has a bout 50-60 songs in a small variety of rock,pop and smooth jazz songs but all of them are great. If your interested in learning more about it then give us a shout.

If your an artist or a band looking for placement opportunity’s than also give a listen and or visit www.wolfiesmusicpublishing.com we are always looking to expand our data base of songs for FILM,TV and WEB advertisements.

http://www.imradio.com/widget/im_widget.swf?user_id=9523

http://cache.reverbnation.com/widgets/swf/19/tuneWidget.swf?twID=artist_382803&posted_by=artist_382803&shuffle=&autoPlay=false&blogBuzz=buzz
Web music player

Share

COMMON MUSIC LICENSING TERMS

For those of us who need to be reminded of certain terms and for those of you who have never known but would like to know what certain terms are I thought it would be a great idea to post or re post this definitions of terms from ASCAP.com I am a member of this orginazation and I am very happy to be. So let’s dig in shall we…oh yes if you have any questions, thoughts or comments please feel free to share them with everyone they might be thinking the same thing.

ADI
ADI or Area of Dominant Influence is the geographic area or market reached by a radio or television station. It is used by advertisers and rating companies to determine the potential audience of a station.

Blanket License
“Blanket license” is a license which allows the music user to perform any or all of over 8.5 million songs in the ASCAP repertory as much or as little as they like. Licensees pay an annual fee for the license. The blanket license saves music users the paperwork, trouble and expense of finding and negotiating licenses with all of the copyright owners of the works that might be used during a year and helps prevent the user from even inadvertently infringing on the copyrights of ASCAP’s members and the many foreign writers whose music is licensed by ASCAP in the U.S. [see also Per Program License]

Dramatic or Grand Rights or Dramatic Performances

ASCAP members do not grant ASCAP the right to license dramatic performances of their works. While the line between dramatic and non dramatic is not clear and depends on the facts, a dramatic performance usually involves using the work to tell a story or as part of a story or plot. Dramatic performances, among others, include:

(i) performance of an entire “dramatico-musical work.” For example a performance of the musical play Oklahoma would be a dramatic performance.

(ii) performance of one or more musical compositions from a “dramatico-musical work” accompanied by dialogue, pantomime, dance, stage action, or visual representation of the work from which the music is taken. For example a performance of “People Will Say We’re In Love” from Oklahoma with costumes, sets or props or dialogue from the show would be dramatic.

(iii) performance of one or more musical compositions as part of a story or plot, whether accompanied or unaccompanied by dialogue, pantomime, dance, stage action or visual representation. For example, incorporating a performance of “If I Loved You” into a story or plot would be a dramatic performance of the song.

(iv) performance of a concert version of a “dramatico-musical work.” For example, a performance of all the songs in Oklahoma even without costumes or sets would be a dramatic performances.

The term “dramatico-musical work” includes, but is not limited to, a musical comedy, opera, play with music, revue or ballet.

ASCAP has the right to license “non-dramatic” public performances of its members’ works – for example, recordings broadcast on radio, songs or background music performed as part of a movie or other television program, or live or recorded performances in a bar or restaurant.

Dramatic and grand rights are licensed by the composer or the publisher of the work.

Mechanical Rights
A mechanical right is the right to record and distribute (without visual images) a song on a phonorecord for private use. Mechanical rights or a mechanical license must be obtained in order to lawfully make and distribute records, CD’s and tapes. Recording rights for most music publishers can be obtained from

The Harry Fox Agency
205 East 42nd Street
New York, New York 10017
212-370-5330
http://www.nmpa.org/hfa.html

Music Publisher
A music publisher works with songwriters to market and promote songs, resulting in exposure of songs to the public and generating income. Music publishers “pitch” songs to record labels, movie and television producers and others who use music, then license the right to use the song and collect fees for the usage. Those fees are then split with the songwriter.

For more info visit www.markallanwolfe.com

Per Program License
A “per program” license is similar to the blanket license in that it authorizes a radio or television broadcaster to use all the works in the ASCAP repertory. However, the license is designed to cover use of ASCAP music in a specific radio or television programs, requiring that the user keep track of all music used. Also, the user must be certain to obtain rights for all the music used in programs not covered by the license.

Public Performance or Performance Rights

A public performance is one that occurs “in a place open to the public or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances is gathered.” A public performance also occurs when the performance is transmitted by means of any device or process (for example, via broadcast, telephone wire, or other means) to the public. In order to perform a copyrighted work publicly, the user must obtain performance rights from the copyright owner or his representative.

Record Label
A record label (or record company) makes, distributes and markets sound recordings (CD’s, tapes, etc.) Record labels obtain from music publishers the right to record and distribute songs and in turn pay license fees for the recordings.

Retransmission
A transmission of a performance is one that is sent by any device or process (for example, radio, TV, cable, satellite, telephone) and received in a different place. A retransmission is a further transmission of that performance to yet another place.

Sound Recording
A sound recording refers to the copyright in a recording as distinguished from the copyright in a song. The copyright in the song encompasses the words and music and is owned by the songwriter or music publisher. The sound recording is the result of recording music, words or other sounds onto a tape, record, CD, etc. The copyright encompasses what you hear: the artist singing, the musicians playing, the entire production). The sound recording copyright is owned by the record label. The copyright in the musical work itself is owned by the music publisher, which grants the record label a “mechanical” license to record and distribute the song as part of the record.

Synchronization or “Synch” Rights
A synchronization or “synch” right involves the use of a recording of musical work in audio-visual form: for example as part of a motion picture, television program, commercial announcement, music video or other videotape. Often, the music is “synchronized” or recorded in timed relation with the visual images. Synchronization rights are licensed by the music publisher to the producer of the movie or program.

Share